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Based in Austin’s thriving creative community, we provide filmmakers with the gear they need to tell unforgettable stories. More than rentals, we’re partners in your production journey.
The Canon CN-E lenses are sharp and beautiful, even wide open. The primes are full frame and matched in every way -- color, look, gear locations, and size. These lenses are proof that the quality of the video is just as dependent on the lenses you use as it is on the camera. You can improve the quality of any shoot with these lenses. These lenses work on any EF mount camera, or any E-mount, RF-mount, or M4/3 mount camera with adapter.
Built for real-world production, the 400x is rugged, reliable, and ready to travel. Whether lighting an interview in a tight space or driving a dramatic scene on location, its clean spectral quality and high color accuracy ensure skin tones look natural and images grade beautifully.With multiple control options (onboard, Sidus Link, DMX, CRMX) and smooth dimming from 0.1% to 100%, the Aputure 400x empowers filmmakers to move fast and stay creative — without compromise.
Lightweight yet built like true professional primes, the Vespid II series is perfectly suited for today’s agile productions—whether you're flying them on a gimbal, rigging a handheld build, or shooting narrative drama with controlled lighting. Their uniform housing, matched gear positions, and 80mm fronts mean quick lens swaps and minimal downtime on set.The Vespid Prime II look is clean but not clinical: natural contrast, pleasing skin tones, and gentle bokeh create images that feel cinematic right out of the camera. And with support for modern metadata workflows, they integrate seamlessly with advanced camera systems and VFX pipelines.
These two Angenieux zoom lenses give you the classic film look you have probably seen in countless movies. A favorite of Hollywood, these parafocal zooms don't breath, and give a great look at any focal length or aperture. A fast T/2.8, they are a complete solution for any project. You can use these Super 35 PL lenses on PL cameras such as the BlackMagic 6K PL mount, the Canon 300 Mark III, the Red Komodo, Z-Cams, and any E-mount, M4/3 mount, or RF mount camera with adapter.
One of the issues with Micro Four Thirds mount cameras has been the limited availability of native high-speed lenses. This trio of lenses all offer amazing T/1.1 speeds, and provide high quality even when used wide open. They have geared focus and iris, and have a wide focus throw, for smooth focusing.
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The SLR Magic MicroPrime line of lenses provide a full-frame, native mount, cinema lens solution for Sony FX3/6/9 and A7sIII cameras. Matched in size and look, the MicroPrimes are metal lenses with a solid feel, and smooth iris and focus action. They have beautiful bokeh and flare, and the warmth of classic cinema lenses.
Additionally, we have MicroPrime lenses for M4/3 mount cameras as well:
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